Category: Personages

Bozorg Alavi

Born in 1904 in Tehran, he has become, over the years, an important figure in Persian literature and on the Iranian political circuit. Alavi is considered one of the most famous Iranian writers on the left. His father, Abolhasan, was a revolutionary who participated in the constitutional revolution of the early 20th century. His grandfather was a deputy. In 1923, Mojtaba and his brother Morteza were sent to Germany to continue their studies. Upon graduation, Bozorg returned to Iran in the early 1930s and began teaching in Shiraz.

During his stay in Germany, he became acquainted with European literature and poetry. He began to translate famous books into Persian. During this period he met Sadeq Hedayat. The two men had a lot in common, and it is very difficult to say who had the most influence over the other. Their socialist ideas led them to publish political articles and magazines. It was then that the ’53 band was born, led by Dr. Arani. Bozorg was arrested in 1937 for violating the 1933 anti-communist law. He and 52 other people remained in prison until the Allied occupation of Iran in the fall of 1941. All were arrested, and he was sentenced to seven years in prison. Shortly before entering prison, he published his series “Chamedan” (The Suitcase). In his sentence, Bozorg did not stop writing. Later, Alavi wrote two books about his stay in prison: “Panjah-o seh Nafar” (53 people) and a collection of short stories titled “Varaq pareh ha-ye Zendan” (Junk documents from the prison).

Fariba Vafi

Fariba Vafi was born on January 21, 1963, in Tabriz, northwestern Iran. She started writing stories at an early age and focused on literary writing as his main focus. In 1986, she published her first book, “Dar omq-e-sahneh” (At the bottom of the stage), and since then she has published other short stories and seven novels. Her works have been translated into many languages ​​and have won international awards. Fariba, of Azerbaijani origin, feels that her linguistic talent is sometimes stuck between Persian and Turkish (Azerbaijani), as she has two different characters in each of these two languages. Although, after so many years, she has finally been able to reconcile these two languages. Fariba has written many works during these years, including the collection of in-depth stories, “Even when we laugh”, “On the way to the village”, “Like a bird in the shadows” and other novels.

Bahram Beyzai

He is a director, producer, screenwriter and editor who was born in Tehran, Iran, on December 26, 1938. He entered the art world at an early age. In high school, he wrote two historical comedies that became his preferred method of writing. He then entered the University of Tehran, but did not finish his studies due to a lack of interest in the subject he was studying. It was then that he began researching Iranian theater and epic literature. At age 21, he did extensive research on the “Book of Kings” (Shahnameh) and the Ta’azie. He also studied pre-Islamic history and became familiar with Persian painting.

The next ten years of his life were spent writing for various publications on oriental art and Iranian theater. He also wrote several articles on cinema, which became the subject of one of his books. It was during this period that Beyzai wrote some of his masterpieces: “The Eighth Voyage of Sinbad”, “Banquet”, “Serpent King”, “Dolls”, “History of the Hidden Moon” and many others …

In 1968, he was one of the first to join the Iran Writers Association (Kanun-e Nevisandegan-e Iran). He began his film career with a successful short film titled “Uncle Mustache” (Amu Sibilú) in 1970. Shortly after, he directed and produced his masterpiece “Ragbaar” with the late Parviz Fannizadeh in the title role. Since then, he has produced and directed another eight films and has contributed significantly to the development of cinema and theater in Iran. Despite his popularity and knowledge, Beyzai never won government support, before or after the Islamic revolution. After almost 20 years, two of his films, “The Death of Yazdgerd” and “The Ballad of Tara”, have not yet received the screening permission. Both films have been suspended because they do not conform to the Islamic code currently used in the Iranian film industry. “Bashu the Little Stranger” would have been his third archived film. But he finally got a screening permit after the end of the Iran-Iraq war. The film tells the story of a boy who lost his home and family in the war.

Abbas Kiarostami: a cult filmmaker

There are artists who, throughout their lives, make infinite variations on the same work, and others who decide never to repeat themselves. Kiarostamí moves at opposite angles and without a pre-established destination, along a path of research – demanding and rigorous – that leads him to continually question his work and the results obtained, without losing his loyalty to his own universe and to an aesthetic of the gaze that it is at the same time an ethic of staging. Kiarostamí is also and above all a perfect artist. Like the great artists of the Renaissance, he is an author capable of expressing himself through different media and languages, always being true to himself and to his favorite subjects: cinema, of course, but also photography, short film, poetry. and the theater. (Alberto Barbera)

Asghar Farhadi

Asghar Farhadi, born on May 7, 1972, is an Iranian film director and screenwriter. As a director, he has received numerous national and international awards, such as the Crystal Simorq from the Fayr International Film Festival, the Golden Globe and the Oscar for best foreign language film, and the Golden Bear from the International Film Festival of Berlin In 2012, he was named one of the 100 Most Influential People in the World by Time magazine.

Farhadi was born in Homayonshahr, Isfahan. He has a degree in Dramatic Arts from the University of Tehran and a master’s degree in directing from the Tarbiat Modarres University. Before turning to screenwriting, he began directing short films, in 8 mm and 16 mm, at the Isfahan Youth Film Society. He also directed television series such as “History of a city” (Dastan-e Yek Shahr) and co-wrote the screenplay for “Vile altitude” (Ertefa-e Past), by Ebrahim Hatamikia. He made his film debut with “Dance in the Dust” (Raqs dar Qobar), followed by “Beautiful City” (Shahr-e-Ziba), which won him awards at national and international festivals.